Thursday, 28 July 2016

Community Day - Favourite Picture

Here's an image of Belinda Morgan's painting which was won the most votes at Ledbury Community Day.

This image also appears in the latest edition of All About the Hills  along with information about the LAS Exhibition on 10 & 11 September.

Wednesday, 6 July 2016

Two Directions Art Exhibition

Two LAS members have an exhibition from 25 July to 7 August at the Weaver's Gallery

Tuesday, 14 June 2016

Ledbury Community Day and Trip to Compton Verney

Our stall at Ledbury Community Day attracted a lot of interest from visitors as they were asked to vote for their favourite among those on display. Belinda Morgan's picture of the 'Market House' won 'Favourite Picture' in the public vote. We had a real buzz of interest and more than 100 voters. She was  followed closely by Tony Bateman and Ian Fountaine came third. More than 10 pictures got at least three votes. We had around fifteen 'In and Around Ledbury' pictures in all... As much as we could fit on the table. Thank you to all who supplied pictures. It's a pity we couldn't display more.



The weather was a challenge for anyone attempting to paint or draw outdoors but Meg Keeble found a nice corner under the Market House.

This event was our second of the week as 14 people enjoyed out coach trip to Compton Verney on the Wednesday. An enjoyable and worthwhile visit.

Tuesday, 10 May 2016

Poster Competition Winner


We didn't have a demonstration for our May meeting but had a 'Show & Tell' where we shared tips and sought advice from each other. We had also invited members to submit paintings suitable for use on a poster to advertise our Exhibition which runs over the weekend of 10-11 September. The theme set for this poster competition was 'In and around Ledbury'. The winning painting was a watercolour by Ian Fountaine showing rather deep snow in Church Lane. Well done Ian!

Saturday, 23 April 2016

Workshop - Seascapes in Acrylic and Oil

One of Colin's paintings
Colin Ross Jack, who had demonstrated for us in February, led today's workshop at Wellington Heath Memorial Hall. We were glad to welcome a few non-members and to share a day's painting. Colin had brought plenty of his paintings and many photos to serve as inspiration for our own efforts.

He began with a brief introduction to his method which he was able to demonstrate very rapidly, not by painting but by bringing along six canvases, one for each stage. The stages were: 1. paint the canvas/board with thin acrylic in a mid tone; 2. choose a composition; 3. sketch composition with chalk; 4. sketch composition with thin acrylic paint using a small brush to follow chalk lines; 5. acrylic tonal underpainting, dark tones first than lightest lights then mid-tones; finish rocks with thicker acrylic and texture; 6. finally paint it in oil or acrylic ... enjoy!


Tuesday, 12 April 2016

Adrian Clamp - further progress

Adrian Clamp has done some more work on the portrait he began at this month's meeting and has sent us this image.

Saturday, 9 April 2016

Adrian Clamp - Portrait in Mixed Media

Photo with grid
To see a range of works by Adrian Clamp visit his website http://www.adrianclamp.webs.com/

Adrian showed us how to paint a portrait from a photograph using acrylic paint initially and then adding some oil pastel over the top. He worked on paper which had previously been given a coat of cream emulsion paint so he wasn't working on a bright white surface. He had selected the area of interest in the photo and overlayed it with a grid that was used for scaling up.



The grid on the paper


To scale up he draws a vertical line, with a charcoal pencil, onto his paper where the left side of the painting will be and a horizontal line to mark the top. With the top left corner of the grid aligned with the intersection of these two lines, he draws a diagonal at the same angle as the grid for the photo. The other two sides of the rectangle to contain the
painting can now be drawn in. They will meet at some point on the diagonal. The other elements of the grid can now be drawn.




Using the grid as a scaling guide he added marks with paint to indicate the location of some of the key facial features and began his underpainting.