Showing posts with label Eric Watson. Show all posts
Showing posts with label Eric Watson. Show all posts

Thursday, 21 November 2019

NOVEMBER DEMONSTRATION

November's demonstration was a return visit by Eric Watson   demonstrating animal painting in pastels. Eric worked mainly with pastel pencils and moved to coloured pencils for finer details towards the end. His favoured support is now Clairefontaine Pastelmat which has a smooth cork grain surface. Animal reference photos for artists are available online.

More information about Eric's work can be found on his website https://www.ericwatsonart.com/

Below are a few images from the demo.  Thanks to Eric for an excellent demo.

Showing the difference between pencil and pastel
Eye to the left in pencil
Eye to the right in pastel



Many colours in the eye

Background added after most of the snow leopard
has been painted

Some whiskers added


Thursday, 8 February 2018

Eric Watson - animals in pastel


Members were invited to try some of the demonstrated
techniques on this picture
Eric is a self-taught artist from Bromsgrove and a full member of the International Wildlife Artists as a professional Artist. In his demonstration he show us how he uses light and shadow using a combination of pastel, pencil watercolour pencil and acrylic to build up from a base drawing to a finished creation of stunning detail.


Eric had brought along samples of his work and you can see more on his website http://www.ericwatsonart.com/  Some will remember Eric came to us in September 2013 and you can see images from that demonstration on this blog here

The demonstration picture this time was of a dog standing in water. He had tackled this subject before so he was able to show us a completed painting before taking us through the stages of development needed to achieve a similar result. He had brought along several pictures at various stages of completion so that he could show how each could be developed toward the next stage.

He first showed us how to transfer an image to paper using a grid and datum lines before moving on to a second stage picture which had some black pastel had already been applied. The paper is a heavy smooth general purpose paper with enough tooth to take pastel that he works well into the paper with a finger.

He usually waits until the animal image is about 85% complete before working on the background which he likes to keep fairly simple. If the main subject is dark the background is better kept light for contrast. A background applied first would pick up lots of dark pastel dust from the subject.

The edges of the dog image are drawn with pencil and not pastel. That means he can bring the background right up to the edge, even over the protruding fur, so there is no 'halo effect' around the subject.

Scrap paper is used to avoid smudging and should be discarded occasionally as it will pick up pastel on the back.

Wednesday, 4 September 2013

Eric Watson - pastel demonstration

Eric Watson used pastels, pastel pencils and watercolour pencils in a very able demonstration of animal portraiture on Tuesday. He provided plenty of tips that could be used just as readily for other subjects. There are two websites where you can see his work Eric Watson and The Priory Gallery

Eric uses white cartridge paper as the smooth surface allows for easy blending of pastels and a white support provides the majority of the white in his images. Blending is carried out either with a finger or with a torchon made from kitchen paper. When working with pencil the sharpness of the point was kept for longer by constantly rotating the pencil as marks are applied. When 90% of the animal was completed he added a background by laying the support flat on the floor, brushing off loose pigment, cleaning the background area with a putty rubber and then using a scalpel to shave off pigment from the pastel stick and then using finger or torchon to blend.
Images showing various stages of the demonstration follow